After 1939, the old Mr. Mattis probably felt that the brush was thrown, picked up the scissors, and started a new toss. He found paper of various colors, coated with gouache pigments, and clicked into pieces, and then put them together, put them on the wall, and painted a picture. This is much easier than drawing on the canvas. However, there is helplessness behind this -he was seventy years old at that time, his eyes were not easy, and he couldn\’t paint as before. But don\’t say, this kind of painting that comes out, is more abstract than his previous paintings. It looks particularly interesting. The seams and cracks of those paper pieces are clear. There is a sense of destruction of almost violence, but the whole is particularly coordinated and balanced, as if it is a new beginning.
There is a writer in the United States, Rahley, who saw Matisse\’s paintings, suddenly inspired, saying that his writing was like this, and he used a bunch of messy elements. Comparative things. I have been pondering recently. If I encountered a particularly big story or academic research, linear narratives are simply unbearable. What should I do? Write a little thing first, and engage in fragmented writing. Maybe it is a good way.
When it comes to fragmented writing, many people may immediately think of card-type note writing. This stuff is a bit like fragmented writing, but it is more used in non -fictional creation. There is a sociologist in Germany called Luman. He wrote a lot of high -quality academic works with a card notes. Through this method, the writer can sort out the information clearly, and can also find new connections when creating, and emerge in new inspiration. However, what I want to say is fragmented writing. This is a tips that can be used in fictional creation. It is especially suitable for newbies to help them overcome the fear when facing big tasks.
The Nobel Prize winner Olga Takarchuk is one of the \”pioneers\” of fragmented writing. On one occasion, she put a lot of notes on the floor. From a glance, she suddenly found that there seemed to be gravity between these fragments, attracted each other, and could fight into a harmonious whole. This is how her \”Cloud You\” came. The content of this book is particularly complicated. There are all Polish history, travel, exile, human body, and hidden love. It consists of 116 loose fragments. Novels, stories, poetry, prose, letters, and historical narratives have everything. Each clip looks isolated, but it is related to each other. This writing method breaks the restrictions on traditional linear narrative, allowing authors and readers to shuttle freely in the world of words, creating a new narrative and reading experience.
If you want to try, you can choose a few small themes, and there is a big theme behind it. For example, if you want to write a book about \”Ruins Adventure\”, you can set up \”finding ruins\”, \”urban adventure\”, \”ruins history\”, \”collapse\”, \”old objects obsessed\”, \”ruins story\”These small themes are written one by one. Isn\’t this much simpler? Writing each small theme is like a short trip. You can encounter a lot of small things, small scenes, and small stories along the way. After writing one, you can write one. You can write from the beginning, from the middle, or even from the end.
You can also try various forms such as prose, small stories, poetry, letters, etc., and finally chant them. In this way, your first book is completed. If you want to be a writer, write the first book first. If you feel that \”Cloud You\” is too complicated, look at Racar\’s \”Roman Diary\”. This essay collection is particularly smooth, like a novel. It mainly speaks Italian, and two fictional short stories \”Exchange\” and \”Semi -Penal and Semi -dark\” are also integrated in the middle, which are considered sublimation on theme. Each paragraph in the book is about \”small things\” about language learning, such as entry, grammar, daily use, association, foreign use, etc. I guess the author also broke the things when he wrote, and finally sublimated to \”Wandering between self -exploration and longing for communication, language restrictions and breakthroughs, pursuit of dual identities\”.
We can also reverse, write small first Things, sublimate to the theme. In the past few years, my head was full of inspiration and ideas, and she jumped like a big fish and fish, and couldn\’t catch it at all. They are shining, but I don\’t know which one to catch. I especially want to put them in different pools and polish them well.
Fragmented text and small things cut in. This is not only the 1001st possibility of writing, but also a good way to make creation real.
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